Under the Influence
Orchestre national de jazz de Montréal
Orchestre national de jazz de Montréal
PERSONNEL
Composer, Conductor : Christine Jensen
Lyricist, Vocalist : Sienna Dahlen (Melodica on «Sweet Lee»)
Woodwinds
Jean-Pierre Zanella – alto & soprano saxophone, flute
Samuel Blais – alto saxophone, flute, clarinet
André Leroux – tenor saxophone, flute, clarinet
Frank Lozano – tenor saxophone, bass clarinet
Alexandre Côté – baritone saxophone, flute
Trumpets & flugelhorn
Aron Doyle
Jocelyn Couture (lead trumpet)
David Carbonneau
Bill Mahar
Trombones
Jean-Nicolas Trottier
David Russell Martin
Taylor Donaldson, Bass Trombone
Robert Ellis
Piano : François Bourassa
Guitar : Steve Raegele
Bass : Rémi-Jean LeBlanc
Drums : Kevin Warren
ABOUT THE ALBUM
“Two-time JUNO-winner, saxophonist, composer and conductor Christine Jensen is one of the most gifted, creative and skilled international musicians/composers of her generation. With her new five-part jazz suite and recording, Montreal-based Jensen has materialized nothing short of a musical triumph. A deeply personal project, this well-produced CD (which was commissioned by l’Orchestre national de jazz de Montréal) is an homage to Jensen’s significant musical influences – creative masters with whom she found a deep, soul connection and who have helped to shape her as an artist and as a human being. These jazz icons include the late Kenny Wheeler, the late Jan Jarczyk, the late John Coltrane, Lee Konitz (with whom Jensen studied extensively) and Wayne Shorter. Jensen (who conducts the ONJM) has also chosen to incorporate the lovely voice of Sienna Dahlen – which in timbre and tone is the perfect complement to the dynamic ONJM and also to the potent music itself (to which Dahlen contributed lyrics).
Among the superb sections of this cycle are Part I (For Kenny Wheeler), which begins with Ouverture – a spooky and disarming sequence that opens the door for Starbright, a stunning, breathtaking and heartbreaking opus that segues into an expressionistic and free-flowing vocal and instrumental exploration, which then explodes into a cacophony of heart-pounding brass, a scorching piano solo by genius François Bourassa as well as gorgeous solos/rhythm section work from trumpeter Bill Mahar and drummer Kevin Warren. Also performed to perfection are the lilting, sassy and swinging Sweet Lee (For Lee Konitz) and both compositions written in tribute to Wayne Shorter: Anthem – a spiritual, non-linear, outside of space/time experience – and the joyous, dueling saxophones of Chant.” Lesley Mitchell-Clarke